WOZO and the Streisand Effect

Yesterday was a fun exercise in watching the Streisand Effect work its magic. By day’s end more eyes were on my little radio show than ever before, and the lunacy at WOZO’s DJ “team” was exposed for the lying nutjobs they are.

Fault Lines Managing Editor Scott Greenfield contacted me Thursday about The Sit Down’s ban from WOZO. He wrote a post about it at Simple Justice on Friday. That post gave the tiny “People’s Radio” show a lot more attention than it’s seen in recent months. The fact the attention was negative, calling their cowardice for what it was, didn’t help much.

So the station launched its “conflict response team” into action. This “response team’s” acts usually involved posting negative comments to my YouTube channel, trolling producer Aaron Campbell’s Facebook page for “That Midday Show,” and blowing my Twitter feed up with repeated at mentions over how I was a “nobody,” a “toxic person,” and an “amateur.”

If that’s the case, why did WOZO’s DJs take so much time and energy to attempt to shout me down?

Let’s look at what happened.

1. WOZO’s DJ “team” objected to the content of the Sit Down and acted accordingly.

From the beginning, it was clear the leftist DJ staff at WOZO wanted The Sit Down gone. They attempted a number of tactics in an attempt to get rid of the news hour broadcast. The first was attempting a straight ban because my broadcasts contained “racist, sexist, transohomophobic, bigoted, ableist, or other “ist” content. Unfortunately, no such content existed, and the one thing the DJ team could find objectionable was the disclaimer broadcast twice during the show, which one DJ found “offensive.”

The second tactic was to frame the narrative of the ban as me wanting “special treatment” from the community radio station. They couldn’t bear the truth shining on their intellectual dishonesty, that they simply didn’t agree with what I had to say, so they came up with a convoluted story about how I was the only show “host” who wasn’t a DJ, hadn’t gone through the steps of becoming a DJ, and wanted to subvert the station’s “rules,” which seemed to apply differently with every DJ at WOZO.

2. WOZO’s DJ “team” launched an all out attack on me and my producers through social media. 

I am told I was “owned” on Facebook. I have no knowledge of this, as I have no access to any social media showing me how I was “owned.” I also have enough adult sense to understand the Internet isn’t real life, and mean hurty words on a digital screen aren’t enough to hurt me or mine.

I am told there’s plenty of “sick burns” of me on WOZO’s twitter account. I have no knowledge of this, because the official WOZO twitter account blocked me.

My producer has no knowledge of this either, as WOZO’s DJ “team” banned him from their listserv, blocked him from their DJ only Facebook group, and blocked him outright from their personal forums for communication. If I or my producer were getting “owned,” it’s WOZO’s DJ team acting out the film “Mean Girls” in real life.

What I do know is during the day random Twitter accounts associated with WOZO came to attack me. DJs at the station left comments on my YouTube videos about how I would find another platform for my “Breitbart trollathon bullshit.”

I screwed with these people as I chose, because I’m a Southerner who enjoys a good fight, even if it’s an online one. However, at the end of the day, the digital conflict amounted to one final result for WOZO.

WOZO now has negative publicity internationally because of their interactions with me. 

One of my Twitter followers, @MachMinotaur, summed the issue perfectly.

This nothingburger would’ve never been a story were it not for two-bit tyrants…at a local radio.

That radio station will still not matter to people not in that area, but now it’s known for its poor behavior. Win?

People as far as Germany came to ask the Twitter eggs that are allegedly WOZO DJs if the continued replays of butthurt feelz were really worth it. The response was a continued double down on stupid, rather than engage in an honest discussion about what really happened. Now instead of being known for honesty, a commitment to free speech, and inclusivity of all ideas, WOZO is seen as a two-bit station with a “team” of teacup pirates behaving poorly when confronted with speech they don’t like.

Here is the truth of the WOZO “ban.”

Aaron Campbell was a dues paying DJ at WOZO who went through their arbitrary process to become a DJ. He came from commercial radio and several of the DJs at the station hated him for it.

He launched a four hour show on Tuesdays called “That Midday Show” which quickly became one of the most successful and listened to shows on the station. In fact, he pulled off a live broadcast at Scruffy City Hall during the Scruffy City Comedy Festival featuring several of the festival’s headliners.

I was a part of that broadcast, as I was a part of many. One of the first people to pitch an idea to Aaron for that Midday Show, I ran the “news desk” and developed the “Headlines” and “Final Thought” segments. During “Headlines” we would riff off stories that I’d find during the week that were funny or unusual. The “Final Thought” was pulled straight from the Jerry Springer show, and we made great fun of it by playing the Jerry Springer music at the end of the segments.

Early January, Aaron came to me to see about rebranding the fourth hour of That Midday Show with a new name, and have me as the “host.” I was never a DJ, and never had any intentions of paying the station’s “dues.” The name change was well within his rights, and as a DJ he had every right to kick me off the air whenever he chose. If he felt like a line was crossed, all he had to do was cut my mic and excuse me from his home studio.

We started the Sit Down. Our listens doubled within two episodes. By Episode three people were objecting to content they’d never heard. Eventually, the station’s DJs concocted a narrative that I was disrespectful to their DJ staff and the station, that I wasn’t a DJ that had ever contributed a single bit of time, money, or energy to their station, and that I was asking for special treatment on their platform.

Yes. I was disrespectful to the people who allowed a DJ to assault my producer, then banned him for being assaulted for the end of calendar year 2016. The way I see it, they deserved what they got. I never had any intention of paying DJ fees. I actually encouraged my producer to split from the station after the assault and subsequent suspension, but he decided to play nice with WOZO and kept broadcasting once the “conflict response team” lifted his suspension on That Midday Show.

Taking “The Sit Down” and repackaging it as deeply conservative was a move on my part to stick it to the people who wronged a friend. That the content struck a nerve with the “progressive” leftists at WOZO meant we were doing something right. They called for Aaron to censor or force me to tone down my social media posts. He refused to do so, being a sensible adult, and pointed out that if I were to tone down my attacks at WOZO for stifling free speech, then WOZO’s DJ “team” should extend the courtesy of not attacking me.

Three episodes later the station now has negative international attention, lost their biggest show, and gifted That Midday Show and The Sit Down the ability to run ads, make money from the broadcasts, and do whatever we want. We are now uncensored, no holds barred, 100% politically incorrect if we so choose.

Every attack WOZO’s DJs take to “own” me simply gives me more attention. Attempting to “blacklist” me from performing “comedy” is ridiculous move as I don’t even do standup or perform at comedy shows. What it does do is expose the Tolerance Police for what they are: cowards who can’t stand ideas with which they disagree.

And I’ve got more eyes on me than ever before. Suck it, haters.

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